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les collections aristophil

44

bibliographie

Beck, Lauren, “Illustrating the Conquest in the

Long Eighteenth Century: Theodore de Bry

and His Legacy,” in 

Book Illustration in the

Long Eighteenth Century: Reconfiguring the

Visual Periphery of the Text,

Ed. Christina

Ionescu. Newcastle upon Tyne, 2011, pp.

501-40. – Bouyer M. et Duviols J.-P.,

Le

Théâtre du Nouveau Monde: Les Grands

Voyages de Théodore de Bry.

, Paris, 1992.

– [Exposition]

Les «de Bry», Une famille de

joailliers-graveurs

, Musée de la vie wallonne,

Liège, 1986.

Arents 37, 39, 44. - Church 141, 145, 151, 154,

156, 158, 161, 164, 168. - European Americana

590/31, 591/39, 605/118, 594/11, 595/8, 596/9,

599/80, 599/21, 602/. - JCB (3) I: 383-84, 387-

88, 390-92, 393-94, 395-94, 395, 396-97, 399,

400-402, 406-8. - Sabin 8784.

BRY THÉODORE DE

(1528-1598).

Alsatian and Belgian engraver.

Admiranda Narratio, fida tamen,

de commodis et incolarum ritibus

Virginiae, nuper admodum ab

Anglis, qui a Dn. Richardo Greinville

equestris ordinis viro eo in coloniam

anno M D LXXXV deducti sunt,

inventae, sumtus faciente Dn.

Waltero Raleigh equestris ordinis

viro fodinarum stanni praefecto ex

auctoritate serenissimae reginae

angliae. Anglico scripta sermone

a Thoma Hariot eiusdem Walteri

domestic in eam coloniam miss out

regionis si tum diligenter observant.

Nunc autem primum latio donata a

C. C. A.

[Carolo Clusio Atrebatensi =

Charles de l’Ecluse]

Francoforti ad Moenum, typis Ioannis

Wecheli, sumtibus vero Theodor de

Bry anno M D XC. Venales reperiuntur

in oficina Sigismundi Feirabendi

Successive title-pages and colophons

[Francfurt, 1590-1602].

50 000 / 60 000 €

In-folio, 2 volumes, a few errors in pagination

and some leaves bound out of sequences (full

collation available upon request), 12 engraved

title-pages and 1 title-page with engraving

(pars VIII), 17 full page illustrations with 2

folding plates, 9 double page engravings, with

7 folding plates ; 258 half-page engravings.

Bound in a 17th century binding, full red

morocco, frame on boards composed

of a triple gilt filet, back sewn on 6 raised

bands, gilt, marbled pastedowns, gilt edges.

Boards rubbed, some stains to boards, hinges

rubbed, foxing to paper. Dimensions of

volumes: 355 x 250 mm.

First edition of the first nine parts of De Bry’s

Great Voyages

(with the exception of part III

here in second edition, published in 1605,

but with date on title-page “1592”).

Amongst the texts found in the nine parts

gathered in this copy, there is the Latin

translation of Thomas Hariot (1560-1621),

A

Briefe and True Report of the New Found

Land of Virginia

, first published in 1588 which

is the foundation work on the early exploration

and delineation of America and an important

first hand account of the abortive Roanoke

colony, the first settlement attempt by the

British in the New World. Hariot, like the

artist, John White (c. 1540-c. 1593) was part

of the Roanoke expedition and wrote his

account from actual observation. It is the

first description of the Virginia and Carolina

country. The map which accompanies the

volume is the first considerably accurate

map of the Virginia coast and Carolina

capes, showing the coast from the mouth

of the Chesapeake to Wilmington, North

Carolina. John White’s illustrations are

among the most famous of early American

images. White was the lieutenant-governor of

the colony, and a skilled artist. His carefully

executed watercolors were gleaned from

close observation and remarkably accurate

renderings of the Carolina Indians and their

customs, costumes, rituals, hunting. They

represent the sole-surviving visual record of

the native inhabitants of America encountered

by England’s first settlers. White’s watercolors

would soon become a sensation in Europe;

it was not long before the watercolors

were engraved by the Flemish master

engraver Theodore de Bry in this publication.

provenance

Thomas Weld-Blundell (1808-1887), his

heraldic ex-libris, engraved and pasted on the

upper pastedown. An ink inscription on the

first flyleaf indicating placement in a library

(that of Weld-Blundell ?): « Bill[iard] Room.

Cupboard ». Shelfmarks “1490” and “1491.”

For bibliographical references see French

entry.

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